Love That Bunch by Aline Kominsky-Crumb
With unapologetically gritty, unpolished, unedited drawings that detailed the desires and ideas of a woman coming of age in the 1960s, Aline Kominsky-Crumb quickly established herself in the underground comics culture of the Bay Area. Self-flattery wasn’t a concern for Kominsky-Crumb. Her greatest doubts and darkest secrets actually provided more material for ground-breaking articles. Her grotesque and self-destructive exaggerated comix alter persona, Bunch, is full of the self-deprecating humour and candour of a cartoonist who is sure of the story she wants to convey.
Love That Bunch by Aline Kominsky-Crumb
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- Used Book in Good Condition
The fact that she does so without apologies is crucial.
Love That Bunch is a collection of comics from the 1970s to the present that is both startlingly prophetic and a true account of its time. In contrasting the conflicting character of female sexuality with a proud, complex feminism, Kominsky-Crumb was ahead of her time. One of the most well-known and eccentric cartoonists of our time, Kominsky-Crumb, traces her journey from a Beatles-loving fangirl to an East Village groupie, an adult struggling with her past, a housewife and mother in the 1980s, to a brand-new thirty-page story called “Dream House” that takes a forty-year look back at her childhood. The only book written by Kominsky-Crumb alone that will be published is Love That Bunch. This updated edition, which includes an afterword written by renowned comics researcher Hillary Chute, updates the 1990 book that followed her up to the present.
Although she is not the most well-known, Aline is among the most significant characters in comics. She isn’t. But because Aline released the first ever autobiographical comic from a woman’s point of view, she inspired a large number of cartoonists working in comics autobiography, particularly women cartoonists. She, according to Robert Crumb, has encouraged him to be more confessional, and his career trajectory reflects this. They collaborated on a comic book called Dirty Laundry Comics, which debuted in 1974 but wasn’t collected until the 1990s. Norton is currently republishing them all. However, Aline has a style that I adore and that a lot of people think to be quite repulsive and terrible.
